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A war sans merci will soon be waged in French movie theatres
nationwide, as rival production teams prepare to release two new
adaptations of a 50-year-old French classic – just a week
apart.
Two big-name French film producers — Thomas Langmann and Marc
du Pontavice and their backers — are equally determined that
their own version of the remake of the 1962 film - The War of the
Buttons will be the blockbuster of the season. The new screenplays
are being released shortly ahead of the date in October when copyright
on the Pergaud book, on which the original screenplay was based,
falls into the public domain.
But will the austerity-hit film going public be prepared to pay
twice to see the competing versions?.

A double treat two for the price of well....
two!
.
Si j'aurais su, je ne serais pas venu
the grammatically incorrect cult phrase of the 1962 film "La
Guerre des Boutons", is set to return to French cinema screens
with the September Rentrée, thanks to two fiercely competing remakes
to be released within a week of each other.
This great classic of French cinema, "The War of the Buttons",
directed by Yves Robert (highly regarded for two subsequent films
"La Gloire de Mon Père and "Le Château de Ma Mère")
in 1962, was adapted from the novel published in 1912 by Louis
Pergaud and proved a huge box office success in France selling
10 million tickets. 'The storyline was an attractive one', writes
Alexis Lucchesi in France Soir... a battle carried on year after
year between kids in two neighbouring villages Longeverne and
Velrans, with the film-maker adapting the film to fit France as
it was then under de Gaulle.
Now half a century later, another new and disarming fight is shaping
up, this time between two big-name French film producers - Thomas
Langmann and Marc du Pontavice and their backers - equally determined
to release remakes of the 1962 film as a rentrée blockbuster spectacular
in September 2011. The two new films bear almost identical titles
"La Nouvelle Guerre des Boutons" (Langmann, set in 1944)
and "La Guerre des Boutons" (Pontavice, set in the 1960s).
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La Nouvelle Guerre
des Boutons
- click image above to view full size poster -
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- click the clapperboard above
to view the trailer -
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Producer Langmann's team includes the director Christophe Barratier,
among whose earlier box office hits were "36 Faubourg"
and the wildly popular "Les Choristes". Langmann himself
counts among his directing successes Astérix aux jeux Olympiques,
which however failed to live up to audience expectations.
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La Nouvelle Guerre
des Boutons
- click image above to view full size poster -
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- click the clapperboard above
to view the trailer -
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Pontavice and his director Yann Samuell who raised 12.6 million
euros for their film, spent almost two months filming on location
along the Limousin and Poitou-Charentes border. Despite attempts
to persuade the two producers to release their films a year apart,
neither would give way. More bizarrely French TV station TF1,
convinced that one of the two films would end up not being made,
has signed contracts with both producers, so viewers will be seeing
the two remakes.
When Mars Films, the distributor of the Langmann-Barratier film,
realised it had a war on its hands. it announced a release date
of September 28... this at a time when shooting was only due to
complete at end July! To meet this very tight, self- imposed deadline
the producer trebled the size (and cost) of the montage team.
Over on the other side of the Maginot line UGC, distributing
the Pontavice-Samuell version, had initially scheduled its release
for November 23 but quickly moved this forward to September 14,
a week before their competitor. 'Crazy', noted one film industry
insider, cited by Christophe Carrière film editor at L'Express,
and remarking on a new (but hardly dignified) landmark in French
cinema history:
'This is a battle about money and ego that is doing nothing
for the honour and reputation of French cinema'
... the source said. A view said to be widely-held in the industry.
The fight for the best release date appears however to have been
won by Mars Films. Christophe Carrière writes that newspaper film
editors and writers are all on holiday in August and Mars publicists
claim they had prepared for the eventuality. 'We're not naive,
we have already made our media presentation before the summer
break.'
Both films offer some differences: One is set in the 1940s,
a dramatic period in French history ("La Nouvelle Guerre
des Boutons").
The other ("La Guerre des Boutons") 'is set at a more
exhilarating time, the 1960s, against the backdrop of Algerian
war ', says Pontavice.
The million euro question is whether film fans will be curious
enough to pay twice to see the two versions.
However the drama does not end there. According to Christophe
Carrière, Gaumont film distributors are proposing to screen a
digital-remastered version of Yves Robert's original 1962 film
over the Michaelmas (Toussaint) holidays!
Plenty of fight left in the War of the Buttons it would seem.

Story:
editorial@french-news-online.com

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